Isolation, trauma and the O.A.

Reviews, Tv Series

I think I explained this already: my “reviews” are considered alternative because I do not focus on judging a work of art (any kind of art!) by using specific knowledge or terminology, but by simply following the train of thoughts that the vision of that artwork creates in my brain, if it does. I do not consider myself an expert in anything, probably nothing at all. I know a tiny bit of many things, but I do not excel in a specific matter, and that may be one of the reasons why I could never find “my way”. Why am I even saying this? Because the idea of writing about The OA, a Netflix series that was released almost a year ago, has been moving around for quite a while; I had this feeling that I had to make up my mind before writing about it, and then I may be able to say something coherent. I finally realized I just needed to accept something that I was too blind (or too proud?) to see.

giphy-downsized-largeThe OA received several contrasting comments and opinions among the experts. While I personally loved it, I can understand that the critics might be a little reluctant in showing appreciation when it is a little hard to see through, a little deeper, a story that makes no sense to the Western culture. Moreover, both plot and style are entwined, the story pops like a bubble during the season finale, leaving the spectators speechless, and those charming dance moves are definitely not accepted, or simply not understood, by many: too spiritual, too superficial, too …stupid.

05AO-master768As always, when a TV series catches my eye (I mean, literally), it is because of something they say, a song from the soundtrack or some other features I can relate to, easily. It is in the very first episode that the protagonist, the OA, says “It’s not really a measure of mental health to be well-adjusted in a society that’s very sick,” referring to an outburst of violence of one of her friends. For instance, violence, pain, isolation and trauma, not only suffered by the OA, but by other people as well (spectators too?) seem to be the “leitmotivs” of the whole story, making it more relatable to a more general public, well at least more to me. When you’re trained to find allegories, symbols, metaphors, (I was a student of literature for a long time, after all!) it is a little easier to go further, to look for what is hidden behind the written words because the author might have wanted to say something, although not explicitly. What I wanted to see in this case is how, by using scenes that to most are normal fiction-based images, a message of freedom, an open door from isolation, had to be cautiously portrayed: the last episode is about high school students getting assaulted while trapped in their glass-walled cafeteria, just like Prairie -the OA, was trapped in her blindness first, and glass-walled cage later. Her story, whether made up -as they want us to believe-, or not, got her through her own imprisonment, until she freed herself and the students, by teaching them a sense of community, sharing what I interpreted as ancient traditions, made of dance moves and spiritual calling: “I survived because I wasn’t alone”. (Damn, I am screwed.)

lonely20161013_630_630That was the moment when I opened my eyes. Social isolation is real. When a person starts avoiding social interaction well, as they say, the “shit has hit the fan”, but being an introvert, it may not be as clear as it should be. Have you ever stopped to think about this? Have you ever had a friend denying offers to go out, even to just have coffee and not necessarily to go partying all night long? Have you ever thought of a friend “what a bitch” for canceling last minute on you? Have you? Do not feel bad (yet). It’s ok. As far as you’re concerned, it is not a big deal. When does this go from “not being in the mood” to isolation? When this denial, this resistance, this rejection of interaction persists for a longer time than usual, and it is well often a consequence of a period spent in a depressive state, sometimes caused by a sense of shame, or low self-worth (rings a bell!). What many do not understand is that there are several factors that can impair social skills leading to isolation, and it is not always by choice.

giphyPrairie survived because she was not alone. When you spend most of your time all by yourself though, you get used to be alone. It only takes time to realize that eventually being alone sucks. You start avoiding not only social interaction but professional events as well. You make up excuses and you miss that chance to meet new people, new opportunities, turning your isolation into a vicious circle of worthlessness. You register to be a reporter for a cultural festival where you really want to interview people who are successful, who made of their passions their job, and their daily inspiration, to potentially stumble upon people you used to know, to breathe fresh air and walk down the crowded roads of the historical center of a town -that you used to know, but -you- are no longer who you used to know or used to be. You choose your aloneness over opportunity. You choose vacuum over fullness. Withdrawal over moving forward. You choose to let go even of all those things you may want to keep…

I watched The OA when something was coming down the pike but it was not so evident yet. Not to me, even less to others. It definitely takes a while for me to digest things, and this took almost a year, but in my defense I can say that… well, no need to defend myself. These days, everybody is focusing on mental health, depression, suicidal thoughts, suicide attempts and actual successful performances. It is not that common to hear someone talk about isolation and alienation, when I believe it is actually part of the same game. While missing all the events and the various opportunity I may have, I did not want to miss the chance to talk about it. Even if not in person, not to someone, and not actually -talking-!

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The O.A.

Genre: they want to call it “science fiction, supernatural drama”
Created byBrit MarlingZal Batmanglij
StarringBrit MarlingEmory CohenScott WilsonPhyllis SmithAlice KrigePatrick GibsonBrendan Meyer
Watched onNetflix 
One Season, Eight Episodes binge watched in: One day.

A Russian blind special girl gets adopted by an elderly American couple. They rename her Prairie. When she turns 20 she runs away from home to go to NYC because she believes her dreams showing her father looking for her in the city. She lives homeless for a while playing the violin on the streets, with a song her father taught her when she was a child hoping he would come to her. Instead she catches the attention of a doctor who offers her a place to stay if she agrees to be a part of a research about NDE, near death experiences. She leaves with him but he keeps her into a glass walled cage in the basement of his house. For seven years, she is held captive with four other people while being drowned and revived many times. They do not realize this is happening until she teaches each one of the prisoners a move to a five part dance ritual that can help open a portal to bring people back to life or heal them. Once the doctor has proof there is life after death he gets rid of Prairie, and she finds herself stranded somewhere. Her adoptive parents recognize her and take her back home. She does not socialize much, but she befriends some high schoolers with troubled backgrounds and convinces them to meet so she can tell them her story. Here she starts calling herself the OA, the Original Angel, and she begins teaching them the dance movements so she can open the portal and save the remaining prisoners. One day there is a shooting at the high school. While the disciples do the dance moves, the OA gets shot and the season ends with a collection of books the police found under her bed with titles referring to her story, making it all appear to be made up. Like I said, alienation/isolation and trauma seem to be the foundation of this story where, in order to understand, you have to believe reality is not what it looks like. Your mind has to be wide open, your mentality has to be flexible, believe it or not, this may be just another version of the truth, a multi-faceted reality nobody knows at its whole. Crazy? Maybe. Trustworthy? Possibly. Fascinating? Definitely. 

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“We live in a kingdom of bullsh*t”

Reviews, Tv Series

8966767_origI knew I was in love with this TV-show since episode one. Elliot, the main character, is a genius. I was hooked when at the end of his mental digression he goes “F*ck society” but he responds “nothing” when the doctor asks him “what is wrong?”, as I recognized myself in those words, something I always wanted to scream out loud, to wake people up. Then I remembered that I read somewhere something like “you can’t explain to people something they are not ready to understand”, and I just isolated myself in my world, or almost so, where I could at least relate to a TV-show, feeling less weird. Elliot’s sessions at his shrink‘s are basically the literal representation of what most of us is thinking right now. Or not? I mean, at least we should. I completely lost it during episode nine, when it was clear that his dissociative identity disorder could relate to Fight Club because the Pixies’ Where Is My Mind started to play. I love that song, and at the same time it reminds me of part of my past I do not love as much. Meh.

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Raise your hand if you have ever felt alienated, when you should feel like you belong to society because after all, you are a human being, but you actually feel detached, different, wrong. Although you try to survive, day by day, you cannot find your spot in a world that does not reflect the socially accepted and advertised picture they taught you since your first second on this planet: a beautiful place, where peace reigns and people are allowed to go to war to bring peace to those areas where it is needed. Crazy? yes. Fair? No. Just a big fat lie. A lie they sugarcoated making it sound beautiful to your ears. They made you believe there is no better place than Earth, that life is worth living and if you kill yourself you are automatically sent to hell. Wow. Where is YOUR mind?

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So here is why a TV-show may be interesting for people who felt, or still feel, isolated and different: from a certain point of view, it makes you feel less lonely. Still, you have to keep in mind it is just a show. A fake representation of reality, where characters may actually be telling the truth, hidden behind a magnified distorted rendered version of it, just to let people, and in this case spectators, stay in that bubble someone else has created for us all. Whether you agree with saying “f*ck society” or not, whether you felt different in a world of clones or not, this is a TV-show that is worth a view.

Mr. Robot

Genre: they want to call it “psychological thriller”
Created by: Sam Esmail
StarringRami MalekCarly ChaikinPortia DoubledayMartin WallströmChristian SlaterMichael CristoferStephanie CorneliussenGrace Gummer
Watched on: TV (Xfinity On Demand)
Two Seasons, Twenty-two episodes binge watched in: two weekends.

Elliot (Rami Malek)is a young programmer who works as a cyber-security engineer at Allsafe, a NYC based IT company.  At first he appears to be a typical nerd, until we realize he is constantly debating with a sort of alter ego, dealing with social anxiety disorder, and depression. Elliot’s thought process seems heavily influenced by a distorted representation of reality which makes him become some kind of vigilante hacker by night. This is how he “knows” people he gets in contact with, by hacking their social media profiles gathering information. He eventually gets recruited by a hacker group whose leader is Mr Robot (Christian Slater) with the purpose of destroying one of the biggest and most important companies in the world, E-corp, which is also the main client of Allsafe, in order to cancel the global debt. Trying to fight the demons in his head, using drugs to detach from reality, and having Angela -a long time friend- by his side, Elliot struggles to do what he thinks is needed in a corrupted society he does not fit in. What happens with him, his family members and everyday drama, is left for you to watch and grow fond of. You’re welcome. 

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“Is any of it real? I mean, look at this. Look at it! A world built on fantasy. Synthetic emotions in the form of pills. Psychological warfare in the form of advertising. Mind-altering chemicals in the form of… food! Brainwashing seminars in the form of media. Controlled isolated bubbles in the form of social networks. Real? You want to talk about reality? We haven’t lived in anything remotely close to it since the turn of the century. We turned it off, took out the batteries, snacked on a bag of GMOs while we tossed the remnants in the ever-expanding dumpster of the human condition. We live in branded houses trademarked by corporations built on bipolar numbers jumping up and down on digital displays, hypnotizing us into the biggest slumber mankind has ever seen. You have to dig pretty deep, kiddo, before you can find anything real. We live in a kingdom of bullsh*t. A kingdom you’ve lived in for far too long. So don’t tell me about not being real. I’m no less real than the f*cking beef patty in your Big Mac.” Season 1, episode 10.

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